Without Water

‘I've kept my books’: How water scarcity impacts girls in rural India

In India's drought-prone Maharashtra state, as young women bear the daily burden of fetching water, they risk dropping out of school and early marriage

‘I've kept my books’: How water scarcity impacts girls in rural India
Sangita Santosh, 14, looks at her reflection in a cracked mirror outside her home in Khaparmal village in Maharashtra’s drought-prone Nandurbar district
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“I wanted to become a doctor, but I had to stop going to school,” Sangita Santosh, 14, told me while she was fetching water from a spring in Khaparmal village in Maharashtra’s drought-prone Nandurbar district in western India. 

This was one of the stories I heard in September last year, when I travelled to villages across the region to document how water scarcity is shaping the lives of women and girls. 

Sangita had wanted to continue her studies, but eventually she was forced to drop out of school. As the eldest daughter, she had five younger siblings to look after, as well as household chores. Fetching water was a major part of her work. Her story stayed with me because she had already imagined a future for herself and then found that there were responsibilities at home that came first. 

I became interested in Maharashtra’s water crisis after seeing photographs circulating on social media of women and young girls gathered around empty wells, holding vessels and waiting for water. Rainfall had become increasingly erratic, forcing families to travel farther to find water. In many households, the responsibility of securing it fell on women and girls.

I kept wondering what was happening beyond those photographs. What did a water crisis mean for the girls having to collect water? 

Fetching water is only one part of their daily lives. Girls are also expected to cook, clean, care for younger siblings, tend livestock and help with agricultural work.

In Maharashtra state, about three to four hours are spent a day walking to distant water sources and carrying heavy containers. This often means girls arrive late to school or have less time for studies and rest. Teachers and local activists told me that girls’ attendance became particularly difficult to maintain during periods of drought. In some cases, I was told, early marriage was being considered by families as a way to cope, especially among families already facing economic pressures.

I met girls whose education had already been interrupted and others who were still trying to continue. What began as a project about water gradually became a story about how a shortage of something so fundamental as water could reshape the way a girl spent her childhood and change dreams.

Another teenager I met, Ramati Mangla, 17, was already married. At her home, she kept photographs and other memories from her school days locked in a suitcase. She had preserved photographs from a time when she was still attending school, dancing and learning with her classmates.

Looking through them, I was struck by how carefully she had held on to pieces of a life that had been disrupted. The photographs were more than memories; they seemed to preserve an idea of who she had been and what her life might have looked like.

I spent time with girls in their homes, at school, in the cotton, maize and sorghum fields, and while they collected water. The longer I stayed, the more the story moved beyond the familiar images of empty wells and women carrying vessels.

I began to see water scarcity as a question of time and labour and of who in a family is expected to absorb the extra work when water becomes more scarce. It's inevitably girls who bear the toll. For girls, those demands often come at the expense of education, play and the possibility of imagining a life beyond their immediate responsibilities.

Today in Nandurbar, access to water remains precarious. Rainfall is 53.2% below normal since the beginning of the monsoon season, which typically begins in June and lasts through September.

For me, the most difficult part of this work was seeing how water shortages could impact a girl’s future. The empty wells that first drew me to Maharashtra were only the beginning of the story. Beyond them were girls who still wanted to study, and whose education had already stopped.

I’ve Kept My Books is ultimately a story exploring what the absence of water can take with it – time, education, childhood, dreams and possibilities.

Sangita (right) walks back towards her village with other girls after collecting water from a drying well and spring in Maharashtra's Nashik district. In the villages I visited, journeys like this were repeated during the day and across generations. The girls carried water not only for themselves but for the households that depended on them. Seen together, their journey reveals the scale of work that rarely appears in statistics about water availability: the hours of girls' lives spent securing something their families can't live without.

Ramati Mangla, 17, looks through photographs and notebooks from her school days at her home in Bhadal village, Nandurbar district. She had kept them safely in a locked suitcase after leaving school. The photographs show her at a time when she was still attending classes, dancing and spending time with her classmates. The objects she had preserved offered a glimpse of a life that had been interrupted. For me, they became the starting point for the title of this project, I’ve Kept My Books.
Children attend a class at the government-run Netaji Subhas Chandra Bose residential school in Toranmal, Nandurbar district. The school houses students from tribal communities across the region, including those affected by water scarcity. Residential schools can provide continuity for children whose families live far from educational institutions, but even here girls still have to fetch water. For some families, the daily work of securing water and managing a household continues to compete with education.
A woman carries a pot of water back to her home in Khaparmal village. During periods of scarcity, some water sources only provide water for limited periods, making timing an important part of the daily routine. Families may have to return several times to collect enough for drinking, cooking and washing. What is brought home in a single vessel, therefore, represents only part of the work required to meet a household's basic needs.
Sangita walks home with her sister, Rangita, after collecting water in Khaparmal village.
Sahee, 13, walks her family’s cattle across a rocky hillside near Kundya village, Nandurbar district. Looking after livestock is part of the work expected of children in many farming households in the region. Sahee also helps with other household responsibilities, including collecting water.
Ravita, 15, carries a pot after collecting water from the Narmada river in Udadya village, Nandurbar district. She dropped out of school to take care of household chores and now spends much of her time helping with work at home. Her experience reflects a broader reality I encountered while documenting water scarcity: once a girl leaves school, the responsibilities of fetching water that contributed to her absence become part of her everyday routine.
Sangita, 14, fetches water from a spring in Khaparmal village. She told me that she wanted to continue her studies and become a doctor, but her father eventually stopped her from going to school. By the time I met her, collecting water had become one of the responsibilities woven into her daily life.
After returning from a nearby spring, Sangita sits with her younger brother outside their mud house in Khaparmal village. The spring, which families once relied on more regularly, now provides limited water. Her brother remains enrolled in school. When Sangita spoke to me about having to leave her own education behind, the difference between their two daily lives was difficult to ignore. Photographing her over the course of around four weeks made me think about how quickly a child's imagined future can become separated from the reality of their daily life.

Photography by Shefali Rafiq. Edited by Anastasia Moloney and Liz Ford.

Photography by Shefali Rafiq. Edited by Anastasia Moloney and Liz Ford.

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